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The Keyframe Gallery: A Home Cinema Journal

A visual journal of the films (and the odd TV show) that I've watched at home. A few screen grabs from each film highlighting my favourite moments plus some notes on my thoughts.

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Showing posts with the label Andrei Tarkovsky

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SOLARIS (1972)

September 01, 2016

1972 Andrei Tarkovsky blu-ray

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blu-ray56 silent13 19156 19736 Charlie Chaplin5 F. W. Murnau5 dvd5 short5 Fritz Lang3 19212

19242 19252 19462 19692 19722 19752 20162 Dario Argento2 Norman Z. McLeod2 Shunya Ito2 Stanley Kubrick2 19221 19271 19281 19291 19301 19311 19321 19331 19431 19531 19571 19581 19601 19641 19651 19661 19681 19701 19741 19761 19771 19801 19821 19841 19861 19881 19891 19931 19951 20111 20131 20141 20151 Abel Gance1 Alastair Reid1 Alex Gibney1 Alison Ellwood1 Andrei Tarkovsky1 Ben Wheatley1 Brian Trenchard-Smith1 Carry On1 D. W. Griffith1 David Cronenberg1 David Lynch1 Don Sharp1 Donald Cammell1 Donald G. Jackson1 Emiliano Rocha Minter1 Ewald André Dupont1 George Marshall1 Gerald Thomas1 Hal Ashby1 Jean-Luc Godard1 Jean-Pierre Jeunet1 Jeremiah S. Chechik1 Jim Jarmusch1 Joe Dante1 John Ford1 Jonathan Miller1 Joseph Santley1 Ken Russell1 Kurt Neumann1 Leo McCarey1 Marc Caro1 Mia Hansen-Løve1 Michael Anderson1 Michael Crichton1 Michelangelo Antonioni1 Miloš Forman1 Nicolas Roeg1 Paul Thomas Anderson1 Psychedelic Celluloid1 R.J. Kizer1 Robert Boris1 Robert Florey1 Robin Hardy1 Sam Peckinpah1 TV1 Ted Wilde1 Victor Heerman1 Yasuharu Hasebe1 documentary1

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LA CITÉ DES ENFANTS PERDUS [THE CITY OF LOST CHILDREN] (1995)

Grotesque Les clones Fantasia Title: La Cité des Enfants Perdus Year: 1995 Director: Marc Caro / Jean-Pierre Jeunet Format: Blu-ray Label: Studiocanal Notes: I didn't get a chance to see this when it was first released so this viewing was my first chance to see this cult fantasy, from the days when steampunk wasn't so ubiquitous in popular culture. I did know about the film at the time it was released because, if I remember rightly, it was referenced in a review of a similar-looking computer game. It's that sort of aesthetic. I was a bit hesitant to watch the film after all this time in case the twee legacy of Jeunet's later film AMÉLIE soured the experience. That would be unfair and fortunately it didn't. While this film has a similar unreal look, I prefer a grimy looking dystopia to pretty France. And the design is great - it looks like it was completely studio bound but with clever use of digital effects to crea...

BABY LOVE (1968)

Dreams Steamy Looking Title: Baby Love Year: 1968 Director: Alastair Reid Format: DVD Label: Network Notes: This is the first film I've watched as a consequence of reading Simon Matthews' treasure trove of obscure films Psychedelic Celluloid. His book covers films from 1965-1974 with some link to the groovy music scene of the period. In BABY LOVE the link is Katch 22 , a psyche band too obscure to be on Wikipedia, who provide some pretty average tunes during a discotheque sequence. Expect more films on this blog from the book because I enjoyed this slightly sleazy experience quite a bit... BABY LOVE is a provocative sexploitation story about a teenage girl who witnesses her mother's suicide and is subsequently taken in by a family who she then appears to seduce one by one. I write 'appears' because one of the redeeming features of this fairly grotty film is the suggestion that Luci isn't really to blame for the chaos she causes...

THE BLUE DAHLIA (1946)

A fool rushes in Interference A low trick Title: The Blue Dahlia Year: 1946 Director: George Marshall Format: Blu-ray Label: Arrow Academy Notes: A film noir I bought on spec due to the involvement of screenwriter Raymond Chandler and the fact this edition was published by the excellent Arrow Academy. Unfortunately it's only a moderately successful example of the genre despite entertaining throughout and looking pretty stylish with it. Both leads were apparently cast for their chemistry and this is evident once they meet. However the stand out character for me is Buzz (William Bendix) with his unsubtly alluded to brain damage and related quirks. There are no real spoilers in saying he helps keep the red herrings and twists flow throughout the search for an explanation to the death of the film's femme fatale. It is the mystery of the unsolved murder that maintains dramatic interest until we finally learn the killer's identify but I think the fil...

L'AVENIR [THINGS TO COME] (2016)

Outside Learning Arcadia Title: L'avenir Year: 2016 Director: Mia Hansen-Løve Format: Blu-ray Label: Curzon Artificial Eye Notes: This contemporary drama is something a bit different to the usual classics and genre cinema covered in this blog. I'm keen to make sure I don't miss too much of modern cinema in my apparent quest to appreciate all of cinema's rich history. Besides, THINGS TO COME stars Isabelle Huppert and I've felt the peer pressure to see something she's in! The film tells the story of philosophy academic Nathalie as her satisfied and rewarding life declines in the time-honoured way of middle-aged women blessed with an egotistical husband, elderly mother and younger colleagues. Her story is sad and she is treated poorly but she never completely snaps. There seems to be an ennui of the privileged that precludes any chance of a meltdown. That said, I was impressed by what's not said or shown by Huppert and t...

HELL COMES TO FROGTOWN (1988)

Nationalised Crotch Women King Frog Title: Hell Comes to Frogtown Year: 1988 Director: R.J. Kizer / Donald G. Jackson Format: Blu-ray Label: Arrow Video Notes: A cult but fairly average post-apocalyptic film (how many were made in the 1980s?!) which is primarily interesting for the casting of pro-wrestler Roddy Piper and the distinctive costumes for the villainous frog mutants. The story begins with an unexpected feminist slant as women capture and enslave Roddy to pro-create on behalf of the government. An ok promise but this turns out to be nothing much more than an excuse for Roddy to get it on with his alluring guards. The film is reasonably funny and I enjoyed it for 80 minutes. The journey towards Frogtown in the first half is the best part of the film but the no-budget realisation of the froggers' home is a bit of a let-down - it's just a ruined factory with some neon, ripping on the Mos Eisley cantina and elements of Mad Max. That...

Joe Grassby

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Text by Joe Grassby. Screen grabs copyright the respective rights holders